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2026 Peabody Auditorium Foundation Scholarship

Read below to learn about the 2026 Peabody Auditorium Foundation Scholarship, available to Volusia County high school seniors.

SCHOLARSHIP APPLICATION DEADLINE: MARCH 27, 2026

2026 Peabody Auditorium Foundation College Scholarship Dear Volusia County:

The PEABODY AUDITORIUM FOUNDATION SCHOLARSHIP PROGRAM is designed specifically to encourage the pursuit of higher education goals among Volusia County high school seniors pursuing a degree and career in the performing arts (dance, music and theater). It is intended that the award, in the amount of $1,000, will be used to support college and advanced training expenses.

The criteria to qualify requires that the applicant be a Volusia County School graduating senior, is planning to purse a degree and profession in the performing arts, has demonstrated academic potential with a minimum grade point average of 3.0, completes the Peabody Auditorium Foundation scholarship application, provides a biographical essay, and two letters of recommendation.

If you have a Volusia County School high school senior or know someone that may qualify for the performing arts scholarship award, please have the student visit their high school guidance counselor or school website for the Peabody Auditorium Foundation Scholarship application.  COMPLETED SCHOLARSHIP APPLICATIONS MUST BE POSTMARKED NO LATER THAN MARCH 27, 2026.

Peabody Auditorium Foundation Scholarships will be announced and awarded at Volusia County School senior award ceremonies in May 2026.

The Peabody Auditorium Foundation phone number is 386-631-1974. They also have a contact page on their website that you can fill out.

 

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2026 Lincoln Prize Finalists

Lincoln Prize Nominees 2026 Image courtesy Gilder Lehrman Institute

Announcing the 2026 Gilder Lehrman Lincoln Prize Finalists

New York, NY, January 13—The Gilder Lehrman Institute of American History is pleased to announce the finalists for the 2026 Gilder Lehrman Lincoln Prize:

Lincoln Prize Nominees 2026 Image courtesy Gilder Lehrman InstituteThese finalists were recommended to the Lincoln Prize board from ninety book submissions reviewed by a three-person jury: Amy Murrell Taylor (chair), T. Marshall Hahn Jr. Professor of History at the University of Kentucky; Robert K. D. Colby, Assistant Professor of History at the University of Mississippi; and Andrew F. Lang, Associate Professor of History at Mississippi State University.

James G. Basker, President and CEO of the Gilder Lehrman Institute of American History, observed, “The seven finalists for the 2026 Gilder Lehrman Lincoln Prize, chosen from a huge field of nominations, represent the very finest Civil War–era scholarship. These books deepen our understanding of how the Civil War reshaped American politics, society, and lived experience, and collectively they form a perfect reading list for anyone who cares about American history and its resonances today.”

The 2026 laureate will be announced in early March. All of the finalists will be invited to an event on Thursday, April 16 hosted at the Yale Club in New York City, where the laureate will be recognized and awarded a $50,000 prize and a bronze replica of Augustus Saint-Gaudens’s life-size bust Lincoln the Man.

About the Gilder Lehrman Lincoln Prize
The Gilder Lehrman Lincoln Prize is awarded annually to a work that enhances the general public’s understanding of Abraham Lincoln, the American Civil War soldier, or the American Civil War era. The $50,000 prize was established in 1990 by businessmen and philanthropists Lewis E. Lehrman and the late Richard Gilder, in partnership with Gettysburg College and Professor Gabor Boritt, Director Emeritus of the Civil War Institute at Gettysburg College.

About the Gilder Lehrman Institute of American History
The Gilder Lehrman Institute of American History was founded in 1994 by Lewis E. Lehrman and the late Richard Gilder, visionaries and lifelong supporters of American history education. The Institute is the leading nonprofit and nonpartisan organization dedicated to improving the teaching and learning of American history through educational programs and resources. We serve K–12 teachers and students, honor scholars, and welcome and inform the general public. At the core of the Institute is the Gilder Lehrman Collection, one of the great archives in American history, with more than 87,000 primary source documents. Learn more at gilderlehrman.org and follow GLI on Facebook, Instagram, Bluesky, and X.

 

PRESS CONTACTS
Daniela Muhling
bookprizes@gilderlehrman.org
(646) 366-9666, ext. 144

Kate Brashares
brashares@gilderlehrman.org
(646) 366-9666, ext. 153

Press release and Lincoln Prize image provided courtesy of the Gilder Lehrman Institute of American History.

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Lyonia Wildlife & Scrub Jay Festival 2026

Lyonia Wildlife and Scrub Jay Festival February 21, 2026.

Lyonia Wildlife and Scrub Jay Festival Takes Flight February 21, 2026

Held at the Lyonia Environmental Center, 2150 Eustace Ave, Deltona, FL 32725. Click the link for directions.

Flyer for Wildlife Festival at Lyonia Environmental Center, with event details, animal photos, activities, and contact information. Event date is February 21, 2026, from 10 a.m. to 3 p.m.

 

Take a walk on the wild side as Lyonia Environmental Center (LEC) presents the annual Wildlife Festival. The festival will feature Florida wildlife presentations, environmental displays, kids’ activities, and guided hikes and eco-buggy tours of Lyonia Preserve. An early-bird hike will kick off the day at 9 a.m.

This event is hosted by the Friends of Lyonia Preserve and West Volusia Audubon.

Find more information:

Admission is free, and food will be available for purchase from food trucks, so make your plans to attend the Lyonia Wildlife & Scrub Jay Festival, February 21, 2026.

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Florida Highwaymen Exhibit at Museum of Art DeLand

The Highwaymen by Gary Monroe

Make a point to see the Florida Highwaymen Exhibit at the Museum of Art DeLand, now through March 29, 2026.

The Florida Highwaymen

January 25 @ 10:00 am – March 29 @ 4:00 pm

Selections from the Walker Collection

At a time of profound social and economic change, the Florida Highwaymen dared to navigate the American Dream.

The Florida Highwaymen were 26 self-taught African American artists who began painting in the 1950s and 60s, capturing Florida’s landscapes in bold color. They sold their paintings along highways and door-to-door, creating a legacy of creativity and perseverance that helped define Florida’s visual identity. Their depictions of royal poinciana trees, marshes, and coastal sunsets not only document Florida’s natural splendor but also stand as a testament to the artists’ determination and spirit in a period of profound social change.

This exhibition, drawn from the esteemed Walker Collection, is a rare opportunity to view works by all 26 recognized Highwaymen together. The Walker Collection represents one of the most comprehensive private holdings of Highwaymen paintings in the world. Assembled with care and vision, the exhibition honors each artist’s contribution and preserves the spirit of this remarkable movement in Florida’s art history.

EXHIBITION DETAILS

The Florida Highwaymen: Selections from the Walker Collection 

January 25 – March 29, 2026

Museum of Art DeLand  |  100 N. Woodland Blvd. DeLand, Florida

Admission: Members Free  | Future Members $10

Information and image above courtesy Museum of Art DeLand. Image: Mary Ann Carroll, Old Blue Backwater, Undated

 

Highwaymen Events at the Museum

Scroll the museum EVENTS CALENDAR, and find several talks and presentations associated with this “don’t miss” exhibit. May of these presentations are being sponsored with funds from the State of the Arts license plate program. If you purchase one of these specialty plates, $20 is returned to Volusia County, or whichever county you are a resident of, to be distributed for public, cultural programming. Visit your local DMV office or visit THIS SITE for more information.

 

The Highwaymen by Gary Monroe
The Highwaymen introduces a group of young black artists who painted their way out of the despair awaiting them in citrus groves and packing houses of 1950s Florida. As their story recaptures the imagination of Floridians and their paintings fetch ever-escalating prices, the legacy of their freshly conceived landscapes exerts a new and powerful influence on the popular conception of the Sunshine State. CLICK HERE or the image above to order your copy today.

 

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Marine Science Center Adds New Exhibit

John Crisp Artificial Reef Exhibit opens at Marine Science Center in Ponce Inlet, FL

Marine Science Center Dedicates New Artificial Reef Exhibit to Former Volusia County Lifeguard John Crisp

Press release and image courtesy County of Volusia
Originally Posted On: January 23, 2026

Marine Science Center Dedicates New Artificial Reef Exhibit to Former Volusia County Lifeguard John Crisp


The Marine Science Center dedicated its newest permanent exhibit, the John Crisp Artificial Reef Exhibit, during a ceremony held Wednesday, Jan. 21, honoring a longtime public servant whose leadership, commitment to safety and passion for ocean conservation left a lasting impact on Volusia County.

Crisp played a key role in shaping Volusia County Beach Safety into a highly respected, professional operation. As an assistant chief, he emphasized calm decision-making, teamwork and putting public safety first, values that continue to guide the agency today.

His service extended beyond protecting people to protecting the ocean itself, recognizing that healthy marine ecosystems support safer beaches and a stronger community. That commitment made the Marine Science Center a natural place to honor his legacy. Artificial reefs reflect the principles Crisp championed: strengthening marine life, preserving natural systems and investing in long-term solutions that benefit future generations. The exhibit ensures his name is connected to an educational resource that will continue to give back to the community.

John Crisp Artificial Reef Exhibit opens at Marine Science Center in Ponce Inlet, FL

 

Completion of the John Crisp Artificial Reef Exhibit was part of the Marine Science Center’s $4.2 million renovation project, which included expanded classrooms, a coral lab and enhanced living exhibits. Since reopening to the public, the upgraded facility has welcomed thousands of residents, school groups and visitors, strengthening education programs, expanding hands-on learning and improving animal care capabilities.

Marine Science Center Visitor Information

The Marine Science Center is open 10 a.m. to 4 p.m. Tuesday through Saturday and noon to 4 p.m. Sunday. The center is closed Mondays. For more information, visit marinesciencecenter.com or call 386-304-5545.

 

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Book Review–Florida’s New Deal Parks and Post Office Murals

Florida's New Deal Parks and Post Office Murals

Thank you for your interest in my book review of Florida’s New Deal Parks and Post Office Murals.

Florida's New Deal Parks and Post Office MuralsWatson, Keri. Florida’s New Deal Parks and Post Office Murals. Charleston: History Press/Arcadia Publishing. 2024. 123 pages, 114 pages of text. B/W images, color images, bibliography. ISBN 9781467156967, $24.99.

You may order a copy of this book from Amazon using the link above or by clicking the image. You may also order direct from the publisher by using THIS LINK. If you order from the publisher, use my discount code REDD24 and receive 15% off your entire order. Get free economy shipping on all orders of $50 or more.

FULL DISCLOSURE–Arcadia Publishing has published several of my books. I purchased the book and it was not provided in exchange for a review.

 

A Personal Aside

I grew up in a small Florida community, well, it’s not quite so small any longer with all the northern migration south. All those years ago, there was a small post office located on one of the two major roads going through town. On the wall were several large paintings. Even as a child, my eye was drawn to the size, color, and subject, particularly while waiting for my mother to finish her business.

It turns out these artworks were not part of the Franklin D. Roosevelt New Deal “alphabet” programs, but there were certainly some similarities and no doubt, the thought behind these local murals came from the work originally commissioned through the Treasury Section of Painting and Sculpture, often referred to simply as The Section. Today, that small post office has been closed to the public, but the murals were moved to a new home in a courthouse building, which is now home to County offices. The murals are readily accessible for anyone wanting to see them.



Author


Keri Watson, professor of art history at the University of Central Florida, has written a concise look at how various New Deal programs impacted the state of Florida through the creation of state parks, post offices, and art created for these  post offices.

Dr. Watson earned her M.A. and Ph.D. in Art History at Florida State University. She holds an undergraduate degree from the University of West Florida.

Dr. Watson’s work has been recognized and supported by a Fulbright Fellowship and grants from the National Endowment for the Arts, among others.

Review

While her book focuses on the period of 1931 through 1946, Watson reminds readers that hard economic times hit Florida well ahead of the stock market crash of October 1929. The state had endured two major hurricanes, an embargo on citrus exports, and a collapsing real estate market. Florida was in desperate need of federal assistance and Franklin Delano Roosevelt, and his New Deal, delivered.

This book concentrates on the efforts of the Civilian Conservation Corps, Public Works Administration, Civil Works Administration, Works Progress Administration, and the prior mentioned Treasury Section. These programs helped create parks, buildings, and art, that are still vital to our state almost 100 years later. At the time, these programs created jobs, and held provide a social safety net as the country rebounded.

New Deal programs employed nearly 50,000 workers in Florida. Workers created ten state parks. Programs helped build sixteen post offices. Artists contributed works showcasing daily life, history, industry, and landscapes.

State Parks, including Ravine Gardens, Fort Clinch, Myakka River, and others built through the New Deal are still economic drivers for their communities. These parks were created through the labor and sweat of CCC workers, who took advantage of the natural beauty of areas, but at times, also worked the land to create even better vistas. Cabins, buildings, trails, and more were built, leaving the state with a tourism foundation that is strong today.

How the New Deal Built Florida Tourism: The Civilian Conservation Corps and State Parks
A detailed look at a unique era in which the state government sponsored the tourism industry, helped commodify natural resources, and boosted mythical ideas of the “Real Florida” that endure today, this book makes the case that the creation of the Florida Park Service is the story of modern Florida.

 

Post offices and the art to adorn them were built throughout the state. A goal was improved mail service and to provide communities needed and modern infrastructure. While some of these facilities have been repurposed during the ensuing century, many are still in service today.

Art that adorned post offices was created through an invitational process with selected artists collaborating with local authorities to fine tune submissions before being granted approval. These artworks include “murals” and relief sculptures. It is not technically accurate to call these paintings murals. Murals are painted directly on a wall. These works were usually large oil paintings that were attached to the wall, often over the postmaster’s office door. This provided several advantages. The art is portable and can be moved as needed. It also eliminated the artist needing to work onsite, possibly for long periods of time. There would be no scaffolding and drop clothes throughout the beautiful new buildings. Not all artists were local, or even Florida residents, so this method also reduced travel expenses.

These artists and their works were a part of their time and as such, some have caused controversy in more modern times. Postal employees covered sixteen works with black plastic sheeting in 2020. Most of these depict antebellum scenes with some directly depicting slavery.  Officials covered the Madison, FL post office mural. George Snow Hill is the artist, the work titled Long Staple Cotton, and dates to 1940. Watson provides several pages of useful analysis of this national controversy.

 




Conclusion

Three geographic areas are featured; North, Central, and South Florida. Each park or post office has its own small chapter. Most chapters are less than five pages in length. The book is quite short, with only 114 pages of text, including many b/w photos. There is a section of color photos on unnumbered pages. The images, while small due to the constraints of the book, are an incredible resource.

Dr. Watson has written a book accessible to all readers. Despite being a university professor, Watson and the publisher avoid academic trappings. There are no foot or end notes, which I would have found helpful. There is a strong bibliography consisting of books, magazines, and journal articles. Many of these sources will be readily available for download, purchase, or library check out/inter-library loan. Librarians will be able to assist with more difficult titles.

Recommended as a good starting point for the subject. Use the bibliography to find other sources. This book can also be used as an excellent travel guide.

 

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Did You Know: St. Augustine Bridge of Lions

Postcard image of the St. Augustine Bridge of Lions. Courtesy Florida Memory

This starts a new series of posts on my blog titled “Did You Know.” I present to you, Did You Know: St. Augustine Bridge of Lions.

What would you like to learn about in brief, condensed snippets like this? Drop a line in the comments with your idea and there may just be a post on the topic in the future.

Postcard image of the St. Augustine Bridge of Lions. Courtesy Florida Memory
Postcard image of the Bridge of Lions. Courtesy Florida Memory

 

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Did You Know: St. Augustine Bridge of Lions

  1. The Matanzas River Bridge first opened to traffic on February 26, 1927. During the Ponce de Leon festival on April 7, 1927, officials officially dedicated the bridge. The bridge was designed by J.E. Greiner Company and cost approximately $911,000.
  2. The bridge is 1,538 feet in length, with 23 approach spans supported by piers constructed of steel arch girders, floor beams, and stringers.
  3. The bridge has pedestrian walkways, allowing walkers and joggers, to safely cross.
  4. The bridge is a part of State Road A1A.
  5. The National Register of Historic Places added the bridge to its listings in 1982.
  6. The bridge connects St. Augustine to Anastasia Island and spans the Matanzas Bay.
  7. The bridge is a double-leaf bascule bridge. This means the bridge is moveable and swings upward on both sides, allowing boat traffic to pass.
  8. The bridge opens to boat traffic Monday through Friday, 7 a.m. to 6 p.m., on the hour and half-hour; with no openings at 8 a.m., 12 noon and 5 p.m.
  9. On Saturday, Sunday and Federal holidays, the bridge opens 7 a.m. to 6 p.m., on the hour and half-hour, including 8 a.m., 12 noon, and 5 p.m., if requested.
  10. The Bridge of Lions will open upon request, Monday through Sunday, 6 p.m. to 7 a.m., without exception to the hour and half hour.
  11. The bridge closed in 2006 for an $80 million renovation project. It reopened in 2010.
  12. Two pairs of lions guard the east and west entries to the bridge. The lions guarding the bridge from the east side are named Pax and Peli (Peace and Happiness). The lions guarding the west side are named Fiel and Firme (Faithful and Firm).
  13. Fiel and Firm are replicas of the Medici Lions. Former mayor Dr. Andrew Anderson donated the lions to the city.
  14. St. Augustine residents Wolfgang and Miki Schau commissioned and donated Pax and Peli.
Bridge of Lions St. Augustine, FLCourtesy Florida Memory
Courtesy Florida Memory

 

Bridge of Lions Courtesy Florida Memory
Courtesy Florida Memory

 

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St. Augustine and the Civil War book cover
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Book Review: Sunlit Arches: William Manly King

Book Review of Sunlit Arches William Manly King

Thank you for taking time to read my book review of Sunlit Arches: How William Manly King Shaped South Florida. This book is written by Janet Naughton and published by Palmango Press.

I was provided a complimentary copy of this book. I have also received a very generous line in the book’s acknowledgements. These fact nots have impacted my impressions of the book or the review below.

 

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Book Review of Sunlit Arches William Manly King

Naughton, Janet. Sunlit Arches: How William Manly King Shaped South Florida. West Palm Beach: Palmango Press. 2025. ISBN 9798999109033. B/W illustrations, index, selected bibliography. 225 pages, 185 pages of text. $24.99.

From the opening paragraph of the introduction, readers know they hold in their hands an important work. Author Janet Naughton, a faculty librarian, professor, and award winning author, hits us with a needed dose of reality from the start. Living in Florida I am well too aware of what she describes, but the slap in the face is a reminder call to what is going on throughout the state.

When a building is lost, a story disappears with it. Architecture doesn’t just provide shelter; it tells the story of a place It reflects values, ambitions, and circumstances of the people who built and used it. In Florida, where rapid growth often demands demolition,, those voices can vanish before they’re heard. (page 1)

 

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It is important to understand that this book is not a biography of William Manly King in the traditional sense. As the author states,

This book is not a comprehensive biography or a technical architectural survey. It is a blend of history, memory, and research, an attempt to place King’s building in context and to tell the stories of the communities they shaped…focus on select examples of his designs, from landmark institutions to neighborhood fixtures, revealing what they meant in their time and what they still mean today. (page 2)

William Manly King was born in Mississippi in 1886 to parents William, Sr. and Katherine. William, Sr. worked in the construction industry and was active in the King family’s small community. The family soon moved to Alabama where his father’s traits no doubt left an impression on the young William, Jr. The boy had a rigorous education and ultimately pursued training at the Georgia School of Technology (now Georgia Tech).

The young architect began his career as a draftsman in Birmingham, Alabama. Here he produced the technical drawings needed for building ideas to become reality. This early work, done for several firms, allowed King to gain the experience needed in order to start his own partnership, King & Davis, in 1910. In 1919 he passed the Alabama exam to become a licensed architect and his career never looked back.

King’s wife had family living in the West Palm Beach, FL area, and with King’s success, he and his family were able to visit the growing area regularly. In 1922, they made the big move to Florida, allowing the young architect to participate in the growing Florida land and construction boom. His skill quickly became in demand.

As the author states, this work is not a comprehensive biography of the architect so we do not learn a tremendous amount regarding the new family interactions and what exactly led the King family to Florida. Here however we do learn about King’s commissions and the sweeping growth that was taking place in the pre-Great Depression days of south Florida. King became known for his Mediterranean Revival style that was often evident in the grand hotels and resorts he was was often designing.

El Cid Apartments in West Palm Beach designed by William Manly KingThe large influx of new residents to Florida required housing and King was there to assist, with many apartment complexes and single family homes to his credit. While some of these majestic buildings, such as the El Cid, have been remodeled or repurposed and stand today, others, such as the Hibiscus Apartments, have fallen to the wrecking ball, often in the name of progress.

William Manly King and his firms were given many contracts for the design of public schools. Unfortunately, many of these facilities outlived their usefulness and now either sit vacant or have been demolished, while we are fortunate and some have been repurposed, allowing us to study the design work of the architect.

The Florida land bust, the Okeechobee Hurricane of 1928, and the Great Depression caused havoc for architects like William Manly King. The election of Franklin Delano Roosevelt and the instituting of the various alphabet projects during the New Deal brought south Florida back to life. These projects provided local governments with money which allowed infrastructure projects and smaller community building efforts to gain traction, helping put people to work and restarting local economies. Already known as a reputable architect, King was primed for opportunities such as a local National Guard Armory, the Florida State Prison Farm, in Belle Glade, and others. It was during this period when King’s style most evolved, focusing on the Art Moderne style that was most popular.

 

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William Manly King designed Boynton High School, opened in 1928
Boynton High School which closed in 1949. It now serves as the Boynton Beach Arts & Cultural Center after a 2020 renovation

King spent much of his energies focused on community based projects such as schools, hospitals, and even college dormitories. His father’s influence shined through as he spent several years on his local planning and zoning commission. He was active in the Kiwanis organization. In the pre-integration days, King was known to work with African American groups to make sure they had access to educational and religious facilities.

As Ms. Naughton reminds us, much of King’s work as been lost to time. Either demolished or going unrecognized today. There is no master listing of his works. It is believed there are buildings still standing that are of from his hand waiting to be identified.

While comparatively little is known about the man, William Manly King, the work he has left, and the work given us by Janet Naughton, remind us of the value historic architecture plays in understanding our past and the developments of local communities. The final resting spot of King and many of his family remain purposely unmarked. We, however, have the buildings he designed that still stand as his legacy.

Author Janet Naughton is a faculty librarian, history professor, and author who concentrates on the Palm Beach county area. She has written numerous books and articles on Florida history. Despite her academic credentials, this book is not academic, and rather, is accessible to all readers. The text is brought to life through many b/w illustrations including postcards, photos, and memorabilia. The book includes an index and bibliography. A listing of known King properties is included. Many are private and not open to the public. An additional incomplete list of King designs is included. For me, an interesting appendix is the list of additional architects working locally while King was active. There are no notes included, which for me would have proven useful, but does not detract from the book.

For readers on Facebook, I recommend that you join the group Architect William Manly King, Jr. Fans. Photos in this post are courtesy of this group.

Architectural history is important to the study and knowledge of local history. A book like this is tremendously important for what it provides us. While not a biography of William Manly King, that is not the priority. Is a biography of King needed? Absolutely. Is there a possibility there just isn’t enough material to write such? Absolutely. Rather, we have an excellent volume highlighting the importance of the architecture from a key period in Florida history focused on a particular, lesser known until now, architect. This book should find a home on the shelves of everyone interested in historic preservation, architecture, and Florida history. Highly recommended.

 

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The Origins & History of the Palm Beaches
Robert I. Davidsson brings Palm Beach County’s past to life through 40 meticulously researched articles. Covering everything from prehistoric tribes and early settlers to Civil War intrigue and World War II stories, Davidsson’s work draws on primary sources and government documents to reveal the rich, often hidden history of the region. His deep dive into local events, landmarks, and legends will captivate historians, students, and anyone eager to understand the heritage that shapes the Palm Beaches today. Click the image to order your copy.

 

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In Memory Banny Praither Stricklin Daytona Beach Police Department

Undated image of Banny Praither Stricklin. Courtesy Findagrave

On the night of January 23, 1931, Daytona Beach, FL police officer Banny Praither Stricklin was shot and killed during a shootout with burglary suspect Joe “Nassau Red” Ward.

Banny Praither Stricklin

Banny Praither Stricklin was born in January 1896 to parents James Golden and Sophronia Belle (Brewer) Stricklin, of Wayne County, Tennessee. According to the 1900 United States Census report, father James was a student, at age 26, and Sophronia did not work outside the home. The young Stricklin family lived with James’s parents, Samuel H. and Sarah. By 1910, the younger Stricklin family were living on their own, James working as a surveyor in the Wayne County area. (U.S. Census Reports 1900, 1910)

Undated image of Banny Praither Stricklin. Courtesy Findagrave
An undated image of a young Banny Praither Stricklin. Image courtesy Findagrave.

Soon, young Banny was to meet Mary Lois Busby and the two were married on October 4, 1914. Banny was only 18 with Lois being around 16/17. The Nashville Banner ran notice of the wedding stating the young couple were wed at the home of Judge and Mrs. E. E. McNely and that “the wedding was a surprise to the many friends of the young couple.” (Nashville Banner 10/10/14)

The young newlyweds quickly started a family with daughter Lera being born in 1916.

With World War  I raging and the United States on the verge of full participation, Banny was required to register for the draft in 1917. The Stricklins were living in Collinwood, TN. Banny described himself on his registration card as being of medium build with brown eyes and black hair. He was self-employed, operating a grist mill. The young man requested an exemption from military service, having served two years in the Tennessee State Guard, in the 1st TN Regiment. Further, he was needed at home to care for his wife, daughter, and mother.  I cannot see that Stricklin served during the Great War. (World War I Draft Registration Card)

By 1920, the still quite young family were living with Lois’s family in Lawrenceburg, TN. Little Lera and the family had welcomed a second daughter, Anita, to the family in 1919. Banny was employed as a construction worker, working with his father in law.

Some time during the late 1920s, the Stricklin family broke from their family ties and moved to Daytona Beach, FL. Here, they rented a home, hoping to start a new life. Banny owned Strickland Service Station, while Lois worked out of the home and was the primary caregiver to the children. Perhaps seeking to provide a stable living for his family, Banny accepted employment with the Daytona Beach Police Department in December 1930.

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Crimes That Evening

The early morning hours of January 23, 1931 were eventful ones for Daytona Beach Police Officers. The area south of what was then Halifax Boulevard, now International Speedway Boulevard, was the scene of several home intrusions. Ultimately, one police officer was shot, dying several hours later from his wounds.

M.C. Jones, of First Street, reported the loss of five dollars from his room. A.J. Burch, who lived on S. Beach Street reported chasing a “negro” intruder from his home around 1:30 a.m., firing off two shots in the process. Whether these minor crimes could have been pinned on the same individual who later killed Officer Banny P. Stricklin, is unknown.

According to reports, around 3:00 a.m., Howard Elting of S. Ridgewood Avenue, was awakened to find an intruder in his room who demanded money. Elting’s shouts awakened his wife and maid who were asleep upstairs in the home. When Elting told the intruder he had no cash, the man made off with a pair of pants and an overcoat.

Mrs. Elting screamed awakening the neighbors. Mr. Elting pushed the assailant out a door, though neither he nor his wife managed a good look at the intruder. The burglar left quickly into the night, carrying a flashlight and his pilfered clothing.

The Killing of Officer Stricklin

Officers were quickly on the scene. Sergeant Roy Tillis, Banny Stricklin, and “two negro patrolmen,” R.C. Clark (I believe this memorial to be for the correct person) and Clarence Roberts gave chase. They tracked the unknown robber to the neighborhood of South and First streets. Sergeant Tillis placed his men at “strategic points,” and ran in search of additional help.

The three officers patrolled their assigned territory, seeking to prevent a getaway. Clark and Roberts reported gunfire; two sharp discharges preceding a much heavier sounding shot. The officers heard Stricklin yell that he had been shot. Rushing to the intersection of South and First, the two officers found Stricklin lying in a pool of blood, where he soon lost consciousness.

Stricklin, gravely wounded, was rushed to Halifax district hospital. Surgeons Joseph H. Rutter and James Ralston Wells quickly found Officer Stricklin had been shot in the right shoulder, a major artery being severed, accounting for the considerable loss of blood. Patrolman Stricklin, on the force less than one year, passed at 10:10 a.m. from severe loss of blood. He is claimed to have said to a fellow officer, “He got me. I’m going to die. Oh, my poor wife and babies.” (Shooting details: Daytona Beach News Journal 1/23/1931)

The immediate investigation determined that Stricklin’s gun had two empty chambers, matching the sounds reported by Officers Clark and Roberts. Local residents however disagreed with the two officers sequence of events, stating the loud, heavier shot was first, followed what would be Stricklin’s two rounds. Residents aroused by the commotion claimed to have seen a seen the assailant, describing him as a “negro wearing a brown overcoat.”  (DBNJ 1/23/1931)

The DeLand Sun News provided a racially charged description of the murder suspect stating “that the negro was a light brown or ginger bread color, tall, slim, and stoop shouldered. He was apparently from 35 to 38 years of age and weighed about 165 pounds. The negro is said to have worn a light cap, an overcoat which had been stolen and which was of a light brown or tan color. In this overcoat was a leather cigarette case, a whistle, and some keys. The coat had a New York label in it. ” (DeLand Sun News 1/23/1931)

 

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Immediate Reaction

As happens when a law enforcement officer is killed, action was swift in trying to name and apprehend the accused. A $100 reward was quickly put forward by the City of Daytona Beach. The city was littered with handbills and posters seeking information and residents were quick to respond. Unfortunately, the tips led nowhere quickly.

A jury of inquest into the shooting was held  which proved inconclusive. Both officers Clark and Roberts were unable to identify the gunmen and could not state with certainty the man’s race. Howard Elting testified about the intruder at his residence but as with the officers, could not state conclusively if the man was White or Black.

Muddying the waters was the testimony of Dr. Joseph Rutter, who stated the wound suffered by Stricklin would have caused him to bleed to death almost immediately. Rutter stated the right hand firing Stricklin almost certainly would have had to have fired first, because the wound would have paralyzed his arm. The men of the jury discounted the possibility of Stricklin firing with his left hand due to the rapid discharge sounds reported.

Banny Praither Stricklin headstone. Image courtesy Findagrave
The headstone for Banny Praither Stricklin. Image courtesy Findagrave.

The body of Banny P. Stricklin was handled by the local funeral home, Baggett-Wetherby, and was loaded on a train, which departed for Waynesboro, TN, the day after the murder. The Stricklin family was onboard as well, with it being reported they would be leaving Daytona Beach to live with family in Tennessee. Young officer Praither was laid to rest in McGlamery Cemetery, in Collinwood, TN. (DBNJ 1/25/1931)

During the inquest, Officers Clark and Roberts testified they had seen the robbery suspect race into a wooded area prior to their fellow officer being mortally wounded. Roberts encouraged Clark to go with him into the dark area in an attempt to apprehend them. Clark testified that he was afraid to follow and refused. For his lack of action, Officer R. C. Clark was relieved of duty. In announcing the termination, Daytona Beach Police chief Charles J. Luke stated, “We cannot have men on the force who are afraid to face the music. It’s unpleasant, but that’s what we are for.” (DBNJ 1/26/1931)

In the wake of R.C. Clark being relieved of duty for failing to act, a new officer was needed and Chief Luke wasted little time in filling the opening. As reported in the News Journal, “Jessie Mitchell, negro, will carry out the police duties formerly executed by Patrolman R.C. Clark…” (DBNJ 1/29/1931)

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An Arrest

For more than two weeks, there was seemingly little to report and it certainly had to feel as if the trail had grown cold. Two days after Valentine’s Day, on February 16, 1931, news broke that “a negro” by the name of Joe Ward, using the nickname “Nassau Red,” approximately 35 years old, was being held in a Miami jail awaiting Constable George L. Haney to arrive and whisk him back to Volusia County where murder charges awaited him.

Police chief Charles Luke, using informant information from one of five known Ward compatriots, tracked the shooter to Miami where Nassau Red was located, already behind bars, suspected in the robbery of a Miami Beach home. Miami police willing gave up the murder suspect and he was immediately brought back to Daytona Beach, arriving at 3 a.m. in the morning of the 17th. (DBNJ 2/16/1931)

It didn’t take long for the accused to confess to being the shooter. By early afternoon on February 17, Ward had confessed and waived his preliminary hearing. He was to be transported to the county jail facility in DeLand and held for trial. It went unreported whether Ward had received legal counsel at this time. (DBNJ 2/17/1931)

Ward would not be alone in jail for long however. Only days later, Constable Haney made the long drive to Miami a second time, returning with Clyde Morrison, a 25-year old “negro,” who was held for being an accessory before the fact according to the warrant. Morrison appeared before justice Charles L. Beers for a first hearing on February 23 with Joe Ward testifying as a witness.

Ward testified that it was Morrison who acted as his driver and had supplied the weapon used in the shooting of officer Stricklin. Arresting officer Haney testified that Morrison admitted selling the weapon to James Gaskin and that he, Haney, had recovered the weapon from Gaskin.

The accused was represented by attorney Paul W. Harvey. Harvey attempted to provide Morrison with an alibi, placing Jannette Falson, Morrison’s “sweetheart” on the stand. She stated the accused as with her from 8:30p until 2:30a. Morrison’s mother testified that he arrived home at 3:00a.

As would have been expected, Morrison was ordered held for trial and placed in the county jail in DeLand. (DBNJ 2/22/31, 2/23/31)

In early April, Morrison, with the assistance of a new attorney, Elmer Jones, was granted a habeas corpus action with Judge Marion G. Rowe presiding. Bond for the accused was set at $5,000, but there appeared to be no immediate action with Morrison remaining in custody. (DBNJ 4/3/31)

Trial

Sergeant Leroy "Roy" Tillis. Image courtesy Findagrave
Leroy “Roy” Tillis. Image courtesy Findagrave.

Court actions began in earnest during the second week of July. A grand jury was convened on July 9 with ten witnesses summoned to provide testimony. Called before the grand jury were police chief Charles J. Luke, officers Roy Tillis and J. M. Durden, constable George L. Haney, E. V. Dickman, Clyde Morrison, Lilly M. Lloyd, Nora Adams, James Gaskin, and the accused, Joe Ward.

The grand jury returned with a charge of first degree murder with a trial date set for July 20, 1931. Ward entered a plea of not guilty to the crime charged, which carried with it a death penalty. The court appointed Joseph A. Scarlett to serve as defense counsel. The same grand jury returned a no true bill against Ward conspirator Clyde Morrison. A no true bill meant that they were unable to determine if there was enough evidence against Morrison in order to prosecute at that time. It did not mean they believed him innocent. Morrison was held as a material witness on a $1,000 bail. (DBNJ 7/8/31, 7/13/31)

Court proceedings moved quickly. The same week as a the grand jury indictment, judge Daniel Simmons drew a venire (pool of jurors) of 18 regular and 36 special to potentially serve as jurors for the trial. These same jurors were also called for two additional first degree murder cases. State attorney Murray Sams, known as an aggressive prosecutor, stated that “We are ready for trial Monday…” (DBNJ 7/16/31, 7/19/31)

The trial of Joe Ward took place at the Volusia County Courthouse, in downtown DeLand, to much fanfare as would be expected in such a significant case. A jury was quickly selected in the morning. The defense excused four jurors using peremptory challenges; C.L. Stone, Eric Causey, Arthur B. Wilkinson, and Fulton F. Smith. Two jurors were excused for “conscientious scruples;” F.J. Nordman and John “Pat” Sheedy.

The final empaneled jury included G.R. Brownlee, E.H. Washburn, G.W. Horn, J.G. Cade, J.M. Hughes, Herbert C. Russell, R.O. Kirchoff, Harry Eastman, G.B. Thomas, N.H. Harper, George W. Tanner, and D.L. Waters.

Murray Sams called the first witness, Dr. Joseph H. Rutter, who dramatically testified how officer Stricklin had bled to death from a bullet severed artery. Police Chief Charles J. Luke then identified the bullet which had been introduced as evidence to the jury.

A further parade of witnesses were called by Sams, describing the events of the evening, including robbery and the shooting. Sergeant Roy Tillis described the search for a robbery suspect, leading them to a wooded area. Tillis recounted gathering officers Clarence Roberts and Jessie Clark (earlier reported as R.C. Clark), along with Stricklin and posting them at the woods while he attempted to find additional officers. After hearing of the shooting, Tillis testified, “With officer James McHale, I rushed to the scene. We found Stricklin weltering in blood and unable to walk. I left several officers on the scene in ambush and rushed Stricklin to the hospital where he died a few hours afterwards.”

Next on the stand was officer Clarence Roberts. Roberts stated, “Clark and I were quite a little distance from Stricklin. Suddenly we heard three rapid shots and a call for help from the officer. I rushed to his aid and Clark followed later. I sent him [Clark] to telephone headquarters. Stricklin gave a description of the negro who shot him and told which way he went. Soon the other officers arrived.”

Clyde Morrison, Ward’s accomplice, was called and proved a key witness for the prosecution. Morrison testified that on the day after the shooting, Ward visited him and left the murder weapon in his [Morrison’s] possession. Morrison testified he later agreed to drive Ward to Cocoa for ownership of the gun and ten gallons of gas. Morrison claimed he agreed to this arrangement out of fear.

From here, the ownership of the weapon becomes a bit muddled as Morrison claims he sold the weapon to James Gasque, a Black man from Daytona Beach. Gasque took the stand and stated he turned the weapon over to Constable Haney, who himself took the stand to identify the weapon.

Defense attorney Scarlett attempted to downplay the testimony of Morrison by showing he had been in jail on charges related to this crime. Judge Simmons however reminded jurors that this was done at court order due to his status as a witness.

While on the stand Constable George Haney brought forth perhaps the most stunning testimony and evidence of the trial. Haney brought forth the signed confession from Ward, stating he had seen a copy of this. The typewritten confession in question was given in the presence of attorney Louis Ossinsky and stenographer Lily (Nellie according to the DeLand Sun News) M. Lloyd. Lloyd testified that while Ossinsky was questioning Ward, Ward stated he wished to confess. Attempts by defense counsel to put Ward on the stand to refute the testimony from Ms. Lloyd proved unsuccessful. The confession was read into evidence by attorney Murray Sams.

Witnesses who closed out the day’s testimony included William O’Shea who identified Ward as having purchase twelve bullets from him the day prior to the murder, and W.C. Jones, a man whose home had been robbed the night of the murder.

With his role of witnesses complete, state attorney Murray Sams rested his case at 3 o’clock.

Defense attorney Joseph A. Scarlett faced the unenviable, and near impossible, task of defending a man accused of killing a law enforcement officer when a signed confession was allowed into evidence. Faced with few options, Scarlett put the accused on the stand to attempt to defend himself. Ward claimed he was coerced into making a confession and that he testified against Clyde Morrison out of fear of the police. Ward testified that chief Luke told him he would never reach the county jail if he didn’t sign the confession. “I confessed what he told me to confess. I wasn’t scared of Chief Luke, but of what they might do to me.”

As would have been expected, Sams easily dealt with Ward, with Luke, Ossinsky, and Lloyd all denying Ward’s claims, while enticing him to admit he was a sailor who made frequent trips to and from Bimini and the Bahamas, returning to the Florida with loads of illegal whiskey as prohibition was still the law of the land. (DBNJ 7/20/31, 7/21/31; DSN 7/21/31)

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Verdict

The jury needed only 19 minutes to find Joe “Nassau Red” Ward guilty of first degree murder, a charge which carried the death penalty. His attorney, Joseph A. Scarlett began making plans for his appeal.  (DBNJ 7/21/31; DSN 7/21/31)

The following morning, Scarlett filed his motion for appeal with circuit court clerk Samuel D. Jordan, citing multiple reasons for requesting the verdict be set aside and a new trial called. As reported Scarlett’s reasons were: the verdict was contrary to law; the verdict is contrary to evidence; the verdict is contrary to law and evidence; the verdict is contrary to the charge of the court; no evidence was admitted upon which to hinge a premeditated design; the jury was influenced by something other than testimony. Judge Simmons made no immediate ruling on the request. (DBNJ 7/22/31)

On the morning of July 23, judge Simmons ruled in favor of Scarlett’s request with the reasoning that “the verdict is not in keeping with the evidence and would not be sustained by the supreme court.” Having gained this victory, Ward’s attorney, Joseph A. Scarlett entered a guilty plea to second degree murder. While spared the death penalty, Ward was sentenced to life in prison. The following week he was transported to Florida State Prison in Raiford. (DBNJ 7/23/31; 7/28/31)

The Killer

Little is currently known about Joe “Nassau Red” Ward. As he confessed to in the trial, he worked as a sailor, importing illegal liquor into the United States during the prohibition years. Through his movements after the crime, he can be traced to the Miami area. Whether that was a permanent home or just out of convenience is still unknown.

Unfortunately, with a common name like Joe Ward and little else to go on, tracking his life is exceptionally difficult. Newspaper accounts show that in November 1938, he requested a pardon, which was denied.

One helpful bit of information was that he served time at the Florida State Prison Farm & Hospital in Union County, FL. Through that small lead, I was able to find Ward in the 1940 US Census. Through the Census record, we learn that Ward was born in approximately 1896, which made him 34 or 35 years old at the time of his crime. Unfortunately, the report lists his birthplace as Florida, providing no further clues to locating earlier records. Ward was uneducated, having completed only the third grade.

Ward’s time in prison is currently a mystery. A records request for Ward’s prisoner file came back with no record found. That was certainly frustrating but I suppose not unexpected in a nearly 100 year old case.

Ward is not listed in the 1950 US Census for the Florida State Prison. Through Ancestry I was able to locate the Florida State Prison Register, 1875-1959 and luckily did find a record for Joe Ward. Here we find that Ward was granted parole on August 26, 1947. Unfortunately, as often happens, the local press had apparently lost interest in the story and no mention has been found covering this event.

So the big question becomes, what happened to Joe Ward after his release in August 1947. Where did he go? Did he keep clean or return to a life of crime? When did he die and where is he buried? For now, these questions shall remain unanswered.

Memorials

For those in the Volusia County area, there are two memorials which can be visited that pay tribute in part to Banny Praither Stricklin.

Volusia and Flagler Law Enforcement Memorial
Volusia and Flalger Counties Law Enforcement Memorial located outside the Historic Volusia County Courthouse in DeLand

Readers are encouraged to view my post dedicated to the Volusia Flagler Law Enforcement memorial located in DeLand, FL. This post will provide you with information and links to other posts about local officers who gave their lives in the line of duty.

Daytona Beach Police Department "Fallen Heroes" memorial.
Daytona Beach Police Department “Fallen Heroes” memorial

Readers are further encouraged to view my post dedicated to the Daytona Beach Police Fallen Heroes memorial. This memorial is located outside the Daytona Beach Police station.

The Murder of James Stricklin

In a peculiar twist of fate, the Stricklin family had suffered tragedy before the killing of Banny in 1931. Stricklin’s father, James G. Stricklin, commonly known as J. G.,  was a local land agent and trader in Collinwood, TN, who according to the Knoxville Sentinel, “had many enemies in the community, mainly on account of recent activities in connection with some revenue officers.” The Nashville Banner reported that Stricklin “had incurred the enmity of a number of people in the county.” The reason for the apparent dislike is not recorded in any detail. (Knoxville Sentinel 3/1/17, Nashville Banner 2/28/17)

On the evening of February 27, 1917, the elder Stricklin was visiting a friend, J. H. Cole, in Waynesboro. Leaving at the end of the night, Stricklin walked along College Street, unaware danger was lurking near a blacksmith’s shop. Parked on the street near the shop was a log wagon, left overnight for repairs to be made in the coming days.

From behind the wagon, a hidden gunman opened fire  at around 10:30 p.m., striking the defenseless Stricklin with nine pieces of buckshot below and to the left of the heart. Local residents, including Katherine Cole, the daughter of Stricklin’s host that evening, raced to the scene and brought the dying man back to the Cole home. The wounded Stricklin would not live long, dying within an hour. Before passing, newspaper reports claim that Stricklin is said to have named who he believed the shooter to have been. That name does not appear to have been released through the press.

A coroner’s jury was quickly impaneled to determine the facts of the murder and who was behind the seemingly unprovoked attack on the otherwise peaceful neighborhood. Working throughout the day after the murder, and despite the possible assailant’s name, the jury returned a verdict that the deceased had met his death at the hands of unknown parties. In a newspaper report more than two week after the murder, it was stated that no arrest had been made.

James & Sophronia Stricklin headstone Courtesy Findagrave
Headstone for James & Sophronia Stricklin. Image courtesy Findagrave

The Nashville Banner reported that in addition to his wife, James “is also survived by a son, aged about 21, Denny[sic] Stricklin.” (Nashville Banner 2/28/17)

James Stricklin was laid to rest in McGlamery Cemetery, in Collinwood, TN. On online memorial may be found HERE. According to Findagrave, Banny’s mother, Sophronia, also passed away later in 1917, but I have been unable to determine the circumstances.

Sources

  • Daytona Beach News Journal
  • DeLand Sun News
  • Findagrave
  • Florida State Prison Register, 1875-1959 (Records available on Ancestry)
  • Knoxville Sentinel
  • Nashville Banner
  • Tennessee Marriage Records 1780-2022 (Records available on Ancestry)
  • United States Census 1900, 1910, 1920, 1930, 1940
  • World War I Draft Registration Card (Records available on Ancestry)

 

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